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Some time ago, local guitarist Gary Cox had the idea of putting together a hand-picked band to perform the Eric Clapton album 461 Ocean Boulevard. Now his idea has finally come to fruition. After many hours of rehearsals, Gary and the Band are ready to bring this amazing show to the Perth Blues Club on Tuesday 16 May.

Trevor Jalla will open the night with an unplugged Clapton set. Then a special band compiled by Gary Cox will perform the full version of Layla, followed by the original 461 Ocean Boulevard album in its entirety, plus Little Wing (featuring Geoff Eastwood), Can't Find My Way Home, The Core and Wonderful Tonight - all of which are included on the deluxe re-released CD edition of the album.

Members of the band are: Gary Cox (Guitar, Vocals); Malcolm Skinner (Bass, Vocals); Mike Hagarty Jr. (Drums); Bill Blissett (Keys); Rosie O'Brian (Vocals, Acoustic Guitar); Alan McCowat (Guitar, Vocals); and Geoff Eastwood (Guitar).

When asked the question "Why 461 Ocean Boulevard?", Gary replied:

"I chose 461 because I grew up with it as a child. I had a cool uncle with a cool car and 8 track player. We zoomed around listening to this and other classic rock and blues albums. This one really struck a chord with me when I was 8 years old ! When Alan McCowat and I talked about our favourite albums this one came up almost instantly for both of us. So I decided to make it happen, like a childhood fantasty."

"Our set will be, the whole Album in order with some select tracks from the Deluxe Edition and stuff played live by that band during that classic era."

"We will be singing our favourite songs and sharing around the solo's," he said.

461 Ocean Boulevard is a 1974 solo album by Eric Clapton that marked his return to recording after recovering from a three-year addiction to heroin. The album was released in late July 1974 for RSO Records, shortly after the record company released the hit single "I Shot the Sheriff" in early July the same year. The album topped various international charts and sold more than two million copies. It was also one of the first "pop music" albums to be released in the Soviet Union.

The album title refers to the address on Ocean Boulevard where Clapton lived while recording the album. The street address of the house was changed after the album's release due to fans flocking to the property. The house has long since been rebuilt and the street address restored.

A remastered two-disc deluxe edition of the album was released in 2004, which included a live concert recorded at the Hammersmith Odeon and additional studio jam sessions.

After overcoming his heroin addiction, Clapton realized that he wasted three years of his life, stating he had not done anything other than watch television and get out of shape. When he sought help working on a farm, he began to listen to a lot of new music and old blues records he had brought with him and started to play again, even writing whole songs out of simple ideas. With these song ideas in mind, Clapton was given a demo tape by Carl Radle, the former bassist for Derek and the Dominos, with songs performed by Radle with keyboardist Dick Sims and drummer Jamie Oldaker. Clapton liked the recordings, calling them "simply superb". Clapton was given time to write new material for a next album by Radle. When he set to work on tracks for the upcoming studio release, Clapton wanted to leave his songs as incomplete as possible, so that the musicians, who were going to record with him in the studio, would get the chance to make them their own.

After he appeared in the rock opera Tommy, his manager at the time, Robert Stigwood, contacted Clapton about a new project. Stigwood arranged for Clapton to record at the Criteria Studios in Miami, Florida with Radle, Sims, Oldacker and record producer Tom Dowd. When the time came to record the new album, Clapton was worried about both the commercial and artistic success of the album, noting his concept of a new album would only work when there was chemistry between the musicians. Clapton also hired guest vocalist Yvonne Elliman and guitarist George Terry as full-time members of his group. Stigwood paid for Clapton to live at a rental house at the address 461 Ocean Boulevard in the town of Golden Beach near Miami. The whole album was recorded from April to May 1974. For the recording sessions, Clapton used his "Blackie" Fender Stratocaster. For slide guitar work, he used several Gibson ES-335 guitars and also played vintage Martin acoustic guitars.

In his 2007 autobiography My Life, Clapton recalls that he was very pleased with the song's lyrics and instrumental parts of "Let It Grow", which he wrote himself. However, music critics and also Clapton noted, that the melody and chord progression is nearly the same as Led Zeppelin's "Stairway to Heaven". Except for "Let It Grow" and "Get Ready", a song Clapton wrote with guest vocalist Yvonne Elliman about her, the album consists of various cover versions of titles that had been in Clapton's head for a long time: "Willie and the Hand Jive", "Steady Rollin' Man" and "I Can't Hold Out".

Clapton first heard the song "Give Me Strength" in London back in the 1960s, when he was living in the city with Charlie and Diana Radcliffe in Fulham Road. He wanted to record the song, because Clapton thought the song would fit to the album's track listing. While the band recorded the album, George Terry brought the album Burnin' from Bob Marley and the Wailers to Clapton, stating he really liked the song "I Shot the Sheriff". He persuaded Clapton to record a version of this tune, which Clapton disliked, because of its "hardcore reggae" melody. Finally, the band convinced Clapton to put the song on the album, noting it would definitely become a hit single. When Clapton met Bob Marley years after his take on the tune was released, Marley told Clapton he really liked the cover.

Two singles were released off 461 Ocean Boulevard. The first, "I Shot the Sheriff" was released by RSO Records in early July 1974, before the album was released. Clapton's take on the Marley tune outplayed the original version, reaching the Top 10 single charts in nine countries, becoming his only number one hit on the Billboard Hot 100 chart. In 2003, Clapton's version was inducted into the Grammy Hall of Fame. The single was also Clapton's first single to sell well internationally, achieving Gold certifications in the United States as well as a double Platinum award in Canada.

The second track to be released as a single was "Willie and the Hand Jive", which came out in October 1974. Clapton slowed down the tempo for his version. Music journalist and author Chris Welch believes that the song benefits from this "slow burn". However, Rolling Stone critic Ken Emerson complains that the song sounds "disconcertingly mournful". Other critics praised Clapton's confident vocals. Author Marc Roberty claimed that on this song, "Clapton's vocals had clearly matured, with fluctuations and intonations that were convincing rather than tentative as in the past". Clapton's version of the song was released as a single in 1974 and reached number 26 on the Billboard Hot 100 and position 28 in the Netherlands.

What the Critics had to say ... 

Writing for AllMusic, critic Stephen Thomas Erlewine calls the studio album a "tighter, more focused outing that enables Clapton to stretch out instrumentally" and adds that the "pop concessions on the album [as well as] the sleek production [and] the concise running times don't detract from the rootsy origins of the material". Finishing his review, Erlewine notes, 461 Ocean Boulevard  "set the template for Clapton's 1970s albums". The critic awarded the release four-and-a-half out of five possible stars.

For the Blender magazine review of the album's 2004 deluxe edition, Jon Pareles called the Eric Clapton of the Cream-era superior to the Clapton of the 461 Ocean Boulevard-era, because of what Pareles describes as strained singing on 461 Ocean Boulevard. Pareles also described Clapton's remake of "I Shot the Sheriff" as a copy with no original arrangement; he praised the song "Let It Grow", but criticized it for sounding too much like "Stairway to Heaven".

Robert Christgau wrote in a contemporary review for Creem:

"As unlikely as it seems, Clapton has taken being laid-back into a new dimension. Perhaps the most brilliant exploration of the metaphorical capacities of country blues ever attempted, way better than Taj Mahal for all of side one. On side two, unfortunately, he goes a little soft. But I'll settle for two questionable live albums if he'll give us a solo record as good as this every three years."

In a retrospective review, he wrote:

"By opening the first side with 'Motherless Children' and closing it with 'I Shot the Sheriff', Clapton puts the rural repose of his laid-back-with-Leon music into a context of deprivation and conflict, adding bite to soft-spoken professions of need and faith that might otherwise smell faintly of the most rural of laid-back commodities, bullshit. And his honesty has its reward: better sex. The casual assurance you can hear now in his singing goes with the hip-twitching syncopation he brings to Robert Johnson's 'Steady Rolling Man' and Elmore James's 'I Can't Hold Out', and though the covers are what make this record memorable it's on 'Get Ready', written and sung with Yvonne Elliman, that his voice takes on a mellow, seductive intimacy he's never come close to before."

In another retrospective review for Uncut, Nigel Williamson finds, that with 461 Ocean Boulevard, Clapton "rediscovered the primacy of music in his life".

Critic Ryan Book from The Music Times likes the track listing very much and thinks that out of this studio album "climate comes out in Clapton's work ten tracks ranging from bright".

Eduardo Rivadavia at Ultimate Classic Rock calls the release a "watershed solo LP" and notes the popularity of the album, stating it is a "wanted man". The journalist finished his review, calling 461 Ocean Boulevard the album, in which Clapton's "incomparable talents and this inspired song set were finally captured".

In 1974, journalist Ken Emerson at Rolling Stone called Clapton's guitar work unnotable and criticized Clapton for hiding behind his other musicians, whom Emerson deemed less than capable. Emerson also questioned Clapton's decision to play a dobro on the album, but called "Let It Grow" a highlight. Emerson also considered Clapton's re-arrangement of "Motherless Children" to be too upbeat for a somber song. Despite Emerson's unfavorable 1974 review, Rolling Stone placed the album at #409 on its 2012 list of the 500 Greatest Albums of All Time, showing its change of heart when it lauded Clapton's return from heroin addiction "with [this] disc of mellow, springy grooves minus guitar histrionics" as well as Clapton's paying tribute to Robert Johnson and Elmore James.

With thanks to Wikipedia

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